Penelope Tree, ‘Hot, Hot, Hot, Smart, Smart, Smart!’.

22 Jul

Penelope Tree is her real name. Only child of Ronald Tree, journalist, investor and British MP and Marietta Tree, US socialite and in later years American represent  at the United Nations . Penelope is also related to retailer Marshall Field, Rev. Endicott Peabody and half-sister of author Frances FitzGerald. With Penelope Tree a change began in the way we perceive beauty. Penelope didn’t look like anybody else, she was a moon-child.

Penelope Tree’s well-to-do background could have been the foundation of a happy childhood, but it wasn’t. In a rare interview she gave a couple of years ago, she talked about a very unhappy childhood, a mom who was to busy having affairs with other man and her father, whom she felt very close too, but she only saw at school holidays.

Teenager Penelope Tree

She was 13 when the legendary photographer Diane Arbus photographed Penelope for a feature inTown & Country magazine. When Ronald Tree saw the pictures, he forbade them to be used. Arbus portrait Penelope as a spoilt rich kid, absolutely desperate at her own native habitat. Only one picture ever published is Penelope in their home living room.

At 17, she went to Truman Capote’s famous Black & White Ball (in 1966) and was spotted by Cecil Beaton, Richard Avedon and Diana Vreeland ,who all took credit for discovering Penelope. The next day Penelope was already commissioned by American Vogue to be photographed by Avedon, who was so taken by Penelope’s appearance he said; ‘Don’t touch her. She is perfect’.

Penelope had already begun to cultivate her own style, which sometimes triggered furious reactions in the street of New York, because of her barely-there minis and racoon-tail skirts. With the sudden change in her life she hoped to escape her background. Avedon and Beaton worked together to make Penelope a supermodel.

The start of her modeling career (pictures by Richard Avedon)

Vogue, Vogue,Vogue…

Not long after her modelling career took off, Penelope met photographer David Bailey, who was then married to Catherine Deneuve. Penelope went back to New York and didn’t see Bailey for almost a year, but there were sparks between them and she thought about him all the time. And then Bailey turned up in New York and Penelope fell madly in love, she was 18, Bailey (as she calls him) was 30. She thought he could save her from her parents and her upbringing.

For a year or so  the relationship worked out. They lived together, travelled the world and when they were in London, Bailey and his muse were the epicentre of the sixties society. Then Penelope started to get jealous and somehow obsessed and inevitably it became claustrophobic to Bailey. ‘What an idiot! I had this Jane Austen view that once you have found your man, that is it’, Penelope says about this period.

Penelope Tree and David Bailey

Penelope’s look at the time was described as part Pipi Langstokking, part Egyptian Jiminy Cricket. She played up her Martian-like appearance by shaving her eyebrows. There are fashion observers who now say that she was a pioneer – she changed the notion of beauty and brought her own sense of style, which was copied by others.

But most of all  she brought enigmatic luminosity to the pictures taken of her. While some photographers adored her, others refused to work with her, because they thought she was a freak…. John Lennon, in a famous quote, called Penelope: ‘Hot, Hot, Hot, Smart, Smart, Smart!’

Her favorite style: Bohemian

Penelope secretly suffered from anorexia. This started already at boarding school. She was so in control of her weight as far as knowing exactly not to go beyond a certain point, because she didn’t want to end up in hospital. Nowadays Penelope’s pictures sometimes appear on pro-anorexia websites and this horrifies her. In her twenties the anorexia turned to bulimia, something she didn’t get under control till her thirties.

Then everything started to go wrong. Her relationship with Bailey was in free fall and suddenly her face got swollen by severe late-onset acne. Her career ended as quickly as it had begun. ‘I went from being sought-after to being shunned because nobody could bear to talk about the way I looked.’ It got even worse, when Penelope got arrested for possession of cocaine during a drug bust. Scarred and looking rough the police refused to believe she was either a famous model or the daughter of wealthy parents who could easily afford bail. She was held in custody for the night. ‘In a way, I was stripped of my identity completely’, she said.

In 1974 Bailey ended their relationship and Penelope went to Los Angeles and later to Australia, where she met her first husband Ricky Fataar, a musician with the Beach Boys. They got a daughter, Paloma Tree Fataar and with Australian psychoanalyst Stuart McFarlane Penelope got a son, Micheal McFarlane. Through all the years she stayed friends with Bailey.

For the best part of the past 39 years Penelope has done her damnedest to stay out of the spotlights, but during the last years she has appeared again in some magazines and fashion ads like Burberry and Barneys Tree time spring 2012, photographed by Mario Sorrenti. Penelope is a student of Buddhism since the 1980s and works for a non-profit organization that supports education for vulnerable women and children in Cambodia and India, called Lotus Outreach and for the Khyentse Foundation, which promotes Buddhist scholarship. She is as true to herself as her photographs would have you believe!

Recent photographs of Penelope Tree 

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Football scarf a fashion accessory

15 Jul

I love vintage football scarves for some of the designs are so very colourful and beautiful. A great accessory to spice up dark and cold winter days or a dull coat….

The history of the football scarf started at the early 1900s in Britain. These coloured scarves have been traditional supporter wear for fans of association football teams across the world, even those in warmer climates. This phenomenon comes in a wide variety of sizes and are made in a club’s particular colours and may contain the club crest, pictures of renowned players, and various slogans relating to the history of the club and its rivalry with others. At some clubs supporters will sometimes perform a ‘scarf wall’ in which all supporters in a section of the stadium will stretch out their scarves above their heads with both hands, creating an impressive ‘wall’ of colour.

And now we’ve gone full circle with the Savile Rogue, billed as the world’s most luxurious football scarf. The scarves are produced by one of the oldest cashmere mills in Scotland from the finest cashmere wool – and in a colour scheme of virtually all the world’s leading teams. Featured above are two examples – Bolton Wanderers and West Ham. Each scarf comes in a presentation box and retails for £36.       http://www.savile-rogue.com/

Maison Martin Margiela

In the Maison Martin Margiela collection for H&M, the hooligan sweater. Its made from football scarves…

Comme des Garçons shirt

I was so happily surprised when, during my recent visit to Tokyo, I found a football scarf by Comme Des Garçons Shirt. It’s woven in the same material and technique as the genuine ones. It’s the completion of my own collection of football scarves and I can’t wait to wear it !

Nico

8 Jul

Nico was born as Krista Päffgen in 1938 in Cologne, Germany and past away in 1988 on Spanish island of Ibiza. Most of her life is a great mystery. Some say Nico was just famous for being Nico, but she was also revered to as ‘the most beautiful creature who ever lived’. She was one of the most fascinating women of her time and still is today.

Spending her first years in Germany during Hitler’s rein must have left a deep impression on Nico, as well as the death of her father (soldier), when she was still very young. For some years, in her early teens, she loved being a pretty girl, but by the time she became a model at 16, she didn’t any longer. Modelling wasn’t enough for her and Nico also started acting, which she showed a natural talent for. On holiday at a friend’s villa in Rome, she got invited to the set of La Dolce Vita, where Frederico Fellini noticed her charismatic presence. She was offered a sizable role on the spot. Nico was asked to play Nico in this movie.

At 16 Krista was discovered by photographer Herbert Tobias, who gave her the name Nico after his ex-boyfriend, filmmaker Nikos Papataki. Not long after she was asked for by Vogue and moved to Paris. There Nico became famous for her beauty, worked for all major fashion magazines and hang-out with the in-crowd. At 17 she got a contract at Chanel.

Nico the model

Because Nico didn’t like working as a model she went to New York, where she attended acting workshops by Lee Strassberg. She wanted to become a serious actress. In 1963 she got the lead role in Jaques Poitrenaud’s film Strip-Tease. She also recorded the title track, written by Serge Gainsbourg  (in 2001 the song was included in the compilation Le Cinéma de Serge Gainsbourg)

She met Alain Delon and they had a brief affair. Nico became pregnant and decided to keep the baby. She thought Delon would acknowledge the baby and marry her, but he never did. Christian Aaron ‘Ari’ Päffgen was born in 1962 and because Nico wasn’t able to take care of him, he was mostly raised by Delon’s mother and her husband, who eventually adopted Ari and gave him their surname Boulogne. Delon always denied being the father and therefore got very angry with his mother for taking in Ari, Delon never spoke to her again. Nico visited Ari whenever she was is around and took him on holidays. It was on one of their trips to Ibiza, when Nico got a bicycle accident and died as a result of the complications.

In 1965 Nico met Rolling Stones guitarist Brian Jones and she recorded her first single ‘I’m not Saying’. Brian Jones introduced her to Andy Warhol and Paul Morrissey, who work with her in their experimental movies, like Chelsea Girls. Nico was one of the original Chelsea Girls, together with Edie Sedgwick. They became a role model in fashion and were copied all over the world for their original style.

Andy Warhol began managing The Velvet Underground and proposed the group take Nico on as a ‘chanteuse’. The band wasn’t  happy with a girl singer, they thought it would give trouble and Lou Reed didn’t like to share the spotlights with Nico (Lou Reed and Nico had a brief love affair during this period), but still she joint the band for a while. Nico sang lead vocals on three songs ‘Femme Fatale’, All Tomorrow’s Parties’ and ‘I’ll Be Your Mirror’ plus the backing vocals on ‘Sunday Morning’ on the band’s debut album The Velvet Underground & Nico. This became one of the most acclaimed rock records ever! The album ranked in at #13 on ‘The 500 Greatest Albums Of All Times’ by Rolling Stone Magazine.

The Velvet Underground & Nico

Following her musical work with The Velvet Underground, Nico began working as a solo artist. Her debut album was called Chelsea Girl, on which she recorded songs by Bob Dylan, Tim Harding and Jackson Browne and collaborated with some members of The Velvet Underground. Her second album The Marble Index was released in 1969, Nico wrote the lyrics and music herself.

Nico the singer & actress

Between 1970 and 1979, Nico made about seven films with her French lover and director Philippe Garrel. Her physical beauty detested her more and more, so she dyed her hair deep dark red. When friends told her, she looked ugly now, she smiled (happily). During her days with Garrel she got hooked on heroin, which made her deteriorate more and Nico became devious to the people around her. She went from being a stunning beauty to a freak act in a couple of years. Some audiences came to her performances just to see what had become of her.

Nico died in 1988 on Ibiza, where she was spending a holiday with her son. She had recently decided to quit heroin and started a healthy food diet and physical exercise. She had a minor heart attack while riding a bike and hit her head as she fell. She was incorrectly diagnosed as suffering from heat-exposure and died July 18 at eight o’clock in the evening. Later x-rays revealed a severe hemorrhage as the cause of death.

She couldn’t stand being this Marble Statue everybody looked at and admired, was it because she hated being  judged by the cover and not for her contents? Was Nico too intelligent to be just this beautiful creature? Was she an undiagnosed manic depressed? Did she never recover from the horrible impressions WWII left on her and the death of her father when she was so little? We will never know, so we’d better celebrate her legacy of beautiful photographs, music and movies.

Ossie Clark & Celia Birtwell

1 Jul

Ossie Clark is  the world’s most collectible post-war fashion designer.

This is my third post about a designer in London during the swinging 60ties, because a revolution infashion happened during those days. The Beatles and The Rolling Stones changed the sound of music and young people were ready for their own style in fashion, more appropriate for the new times. Mary Quant was the first to understand and created a look for the new generation and by doing so blasted an opening in the wall of tradition through which other young talents have poured, like Barbara Hulanicki, Jean Muir, Zandra Rhodes and the most flamboyant of all, Ossie Clark. 

Raymond ‘Ossie’ Clark practised tailoring clothes on his dolls when he was not yet ten years old. He attended the Regional College of Art in Manchester at sixteen. Here he got introduced to Celia Birtwell, with whom he became close friends and soon also lovers. Ossie also befriended David Hockney, who became a famous artist/painter. He graduated in 1958 and went on to the Royal College of Art (RCA) in London where Madge Garland, who had worked for British Vogue and as a leading fashion journalist and textile expert, had become the  first Professor of Fashion Design. Magde Garland had great influence on the young and upcoming designers.

Celia Birtwell followed Ossie to London and they lived together in his small flat. His final exam featured a dress with flashing lightbulbs, that was shown in every major news and fashion publication the next day. Ossie Clark got noticed. During the next year (1966) he met Alice Pollock, who owned the exclusive boutique ‘Quorum’ on Kings Road. Alice recognized Ossie’s talent and ordered a collection of dresses, he made in all white and cream chiffon. The collection sold well and for the next collection Alice Pollock commissioned Celia Birtwell to design prints and one of the most famous fashion collaborations was born: Ossie Clark designing clothes and Celia Birtwell designing prints for these clothes. The partnership would last for almost all of Ossie’s career in fashion. She was his muse and inspirer. Her designs would never have gotten so famous without his dresses and his dresses would not have been so outstanding without her designs.

Ossie Clark dresses in prints by Celia Birtwell

Their work became very sought after and the collections sold out in no time. From a top-shelf collection ‘Ossie Clark for Quorum’ became the main collection. In late 1966 Ossie discovered a warehouse, where he found several rolls of untouched python and watersnake skins which were stored for about twenty years. He was able to hide his enthusiasm and purchased the skins for a bargain. The first leather clothes were shown at the Quorum A/W collection 1967. The phyton and snake-skin jackets were a huge success.

Python & Watersnake skin jackets

In the late 1960s the fashion press named Ossie ‘The King of King’s Road’. His love for dance, Nijinsky in specific, inspired him to make his clothes not restricting the female form and allow free movement. This style of dressing became quite popular in the 70ties thanks in large part to the popularity of Ossie’s clothes. He and Alice Pollock were great in creating an image and drawing in the rich and famous, but were not successful in managing the business. In 1967 Quorum was deeply in dept and Alice, together with Ossie, agreed to sell the boutique to a large fashion house, Radley, owned by Alfred Radley.

Alfred Radley continued to support Ossie’s aspirations by developing the ‘Ossie Clark’ brand, which was popular with the rich & famous and also introduced the ‘Ossie Clark for Radley’ collection, which made his designs also available to high street clietele. Radley organized fashion shows at Chelsea Town Hall and the first full fashion show by Ossie in London’s Berkeley Square, which featured black models (Yves Saint Laurent introduced this in Paris).

Ossie Clark was not just popular in London, but also in New York and Paris, where Radley also organised fashion shows for him. But Ossie, who drank heavily and started taking hard drugs with Alice Pollock in the beginning of their collaboration, became more and more unpredictable. When Alfred Radley made an important appointment for Ossie and himself to meet large new buyers from Italy, Ossie didn’t show up and the buyers went home without doing business.

In 1969 Ossie had married Celia, who got  pregnant with their first son, Albert and later they had their son, George. Ossie adored his sons and would have loved to have more children, but the relationship got under a strain. Celia spent most her time raising the boys, while Ossie lived a life of sex (mostly with men), drugs & rock ‘n roll with his famous friends. For a while he went on making clothes for Mick Jagger (also some stage outfits), Keith Richards, The Beatles, Marianne Faithfull,  Tahlita Getty and other well-known people, but when Celia decided to divorce Ossie it went all downwards.

Some rich & famous wearing Ossie Clark

Ossie couldn’t cope with the loss of Celia and his sons and together with his alcohol and substance abuse, he derailed. In the mean time fashion changed and Punk became the new style. When his fortunes declined to bankruptcy, Ossie blamed it on the banks. Taxmen cashed in all his assets. He went bitter and set out the bankruptcy term. He now only worked on private orders from friends and got paid out in rent-free stayovers in weekend houses, free holidays or by paying of his outstanding bills.

In 1978, Ossie met his second long-term partner Nicholas Balaban, who worked as a barman in the famous Sombrero Club in Kensington (the place to spent the night). He encouraged Balaban to start his own fashion business in printed T-shirts, which became hugely successful. But Ossie kept on living an illegitimate lifestyle and Balahan ended the relationship 1983. The next year Ossie went back to work with Radley, produced some beautiful garments, but got sacked the same year. His designs were too complicated to produce commercially. After Balaban died and Ossie converted to Buddhism it was finally time to shake of the past.

In 1996 Ossie got stabbed to death in his flat in Kensington by his 28-year-old Italian on-and-of lover, Diego Cogolato. Cogolato was high and destabilised by a combination of Prozac and amphetamines and reenacted a vision he had the previous day, he was the messiah and Ossie the devil. (Cogolato was only sentenced to six years in prison) By the evening of August 7, family and close friends were informed and the next day newspapers around the world carried the news.

Mr. and Mrs. Clark and Percy  thepainting by David Hockney(1970) hangs in the Tate Britain gallery on Millbank and is one of the most visited paintings in Britain

Style Icon Kate Moss wore a vintage Ossie Clark dress at the rehearsal dinner before her wedding to Jamie Hince.

Celia Birtwell opened shop on Westbourne Park Road in London. The shop has been described as ‘London’s best kept secret’ and is now managed by her son George and his wife Bella. On the online shop you can find  fabrics and wallpaper with her famous prints, but also some beautiful vintage Ossie Clark dresses.    www.celiabirtwell.com

Vogue Italia published a story photographed by Steven Meisel in december 2009, which was inspired by the works of Ossie Clark and Celia Birtwell.

To read more about this tumultuous time I can recommend two books: Celia Birtwell by Celia Birtwell and Dominic Lutyens &  The Ossie Clark Diaries,edited and introduced by Lady Henrietta Rous. To order at  www.amazon.com

                         Raymond ‘Ossie’ Clark     9 June. 1942  –  6 August, 1996

Patti Smith, Style Icon and writer of ‘Just Kids’

24 Jun

I wanted to write this post for quiet some time already, worried I wouldn’t do right to Patti Smith I kept postponing it. But it’s time I’ll give it a try. Not being a book reviewer, I dug up some reviews on ‘Just Kids’, a book by Patti Smith about the years she spent with Robert Mapplethorpe and it occurred to me, there a different ways to clarify the contents. I was mostly moved by the innocence and deep love they felt for each other, even after they went their own separate ways.

For years Patti Smith embodied poetry, bohemian lifestyle and music to me, but after seeing the film ‘Patti Smith, Dream of Life’ by Steven Sebring I noticed other things about her…, her great sence of humor and the fact she is very aware of her style. It may look like her outfits are just accidentally damn stylish, but they are not. She is very aware of the clothes she puts on for which occasion but doesn’t look like it : that’s her style. She is so good at this, you hardly notice. I got a huge smile on my face, when in ‘Dream of Life’, she starts to explain what she is wearing, pointing at her shoes, pants and shirt saying: “Prada, Prada, Comme Des Garçons….’ In another chapter a friend walks into her hotel room carrying a Prada bag and starts reading what is written on the duty free-paper that’s tacked onto the bag. He went shopping for her, but she’s not allowed to open the bag till she’s left the country and seems very disappointed not being able to look at the new Prada purchase.

In an interview Patti Smith told she was very aware of the way she put the jacket over her shoulder, for the famous photograph Robert Mapplethorpe took of her for the album ‘Horses’…, it had to be in a Frank Sinatra-ish way.

New York Times , Ruth La Ferla, march 19, 2010

So it was surprising to learn that her roomy gray jacket, with cuffs that unfasten at the wrist, was designed by Ann Demeulenmeester, a high priestess of Parisian vanguard chic. Her jeans were Ralph Lauren, prized by Ms. Smith for their racy lines. Her boots, a gift from Johnny Depp, who wore them as the Mad Hatter in “Alice in Wonderland”, were the perfect fit, Ms. Smith exulted, “like when the magic cobbler made your shoes.”

She has a rarefied feel for that kind of evocative detail — no stray seam escaping her scrutiny. That might stun her fans, who think of Ms. Smith as a gnarly rocker, thrashing and howling soulfully on stage. But style-world insiders embrace her as a kindred spirit whose discerning eye and sensitive fashion antennas might be the envy of a veteran stylist. Ms. Smith’s look, after all, is nothing if not rehearsed.

“She is very aware of her style and she controls it,” said Ms. Demeulenmeester, a longtime friend and fashion collaborator. (Ms. Smith favors the designer’s mannish white shirts, inspired by the one she wore on the cover of her debut album, “Horses.”) “It’s about being conscious of who you are and using all the strength you have to communicate that.”

Patti Smith, Style Icon

Great books to read:

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‘Just Kids’  by Patti Smith

‘Just Kids’ is about a moment in the lifes of Patti Smith and Robert Mapplethorpe, when they were  young and inseparable. It was pure fate that introduced them to each other and they became roommates, friends, lovers and muses. Its tells a story of innocence, ambition and  their shared transit from obscurity to stardom.

They went together to museums able to afford only one ticket (the one who saw the exhibition would describe it to the one who waited outside). They went to Coney Island, able to afford only one hot dog and she got the sauerkraut. They valued the same things, though in a different way. They were both praying for Robert’s soul: he to sell it and she to save it. Finally his prayers were the ones to be answered.

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Patti Smith tells the story of the beginning of the end of Manhattan’s last great bohemian age, when a couple with dreams of artistic glory could live on day-old bread, cigarettes and paint fumes so precisely it feels like you’ve been there living it with them. When she writes about the time Robert started doubting his sexuality, you can feel his confusion and her pain

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‘Just Kids’ is also a story about becoming an artist, not the race for online celebrity and corporate sponsorship that often passes for artistic success these days, but the powerful, often difficult journey towards the ecstatic experience of capturing radiance of imagination on a page or stage or photographic paper. Mapplethorpe iconic image of Patti for the cover of ‘Horses’, serves as a  symbol of both their collaborative relationship (Patti Smith:”When I look at it now, I never see me, I see us’) and  the separate paths they took thereafter; he as one of the last century’s most heralded and controversial photographers, she as a performer whose influence still extends through poetry, contemporary music, fashion and visual arts.

The book is written so vividly yet sensitive, I could hardly put it down. I bought another copy for a friend and gave mine to others to read.

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 ‘He is the artist of my life’

Patti Smith on Robert Mapplethorpe

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The biography ‘Mapplethorpe’ by Patricia Morrisroe

Documentary

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‘Patti Smith,Dream of Life’ a film by Steven Sebring

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www.dreamoflifethemovie.com

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